LIPPI, Filippino

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
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LIPPI, Filippino Signoria Altarpiece (Pala degli Otto) sg oil


Signoria Altarpiece (Pala degli Otto) sg
Painting ID::  7948 		Signoria Altarpiece (Pala degli Otto) sg
1486 Tempera on wood, 355 x 255 cm Galleria degli Uffizi, Florence
   
   
     
LIPPI, Filippino Apparition of The Virgin to St Bernard sg oil


Apparition of The Virgin to St Bernard sg
Painting ID::  7949 		Apparition of The Virgin to St Bernard sg
1486 Oil on panel, 210 x 195 cm Church of Badia, Florence
1486 Oil_on_panel,_210_x_195_cm Church_of_Badia,_Florence
   
   
     
LIPPI, Filippino Apparition of The Virgin to St Bernard (detail) sg oil


Apparition of The Virgin to St Bernard (detail) sg
Painting ID::  7950 		Apparition of The Virgin to St Bernard (detail) sg
1486 Oil on panel Church of Badia, Florence
1486 Oil_on_panel Church_of_Badia,_Florence
   
   
     
LIPPI, Filippino St Jerome gs oil


St Jerome gs
Painting ID::  7951 		St Jerome gs
1490s Oil on wood, 136 x 71 cm Galleria degli Uffizi, Florence
   
   
     
LIPPI, Filippino Adoration of the Magi sg oil


Adoration of the Magi sg
Painting ID::  7952 		Adoration of the Magi sg
1496 Oil on wood, 258 x 243 cm Galleria degli Uffizi, Florence
   
   
     
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     LIPPI, Filippino
     Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.

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